循环星期一

简介：居住在法国南部乡村的老人保罗，在一个暑假突然迎来了三个不速之客——来自巴黎的外孙女和外孙。认知的分歧加上与女儿多年的失和让保罗与三个年轻人难以顺利相处。祖孙几个你来我往地过招，外婆不停从中调和。在不知不觉中保罗与外孙们的感情距离拉近了。

简介：年轻时的Robert哥(麦德罗饰)是一位风流不羁的情场浪子，每日纵情于声色场所、频频转换女伴对其来说是家常便饭。就在其十分享受如此生活时，五个小女孩却闯入其生活，原来五个女孩就是Robert哥风流韵事过后的「产物」。其坚拒抚养五女，但弟弟Tony(王维德饰)反对，执意独自抚养五女。自此王家因为五女的出现而令兄弟二人的生活发生翻天覆地的变化，一幕幕的趣事、闹剧接踵而来。及后五女长大成人，因为她们受Tony的启蒙而热爱唱歌跳舞，就在五人决意参加舞蹈大赛的同时，浑不知触碰了Robert哥鲜为人知的一段伤痛往事，两代人的矛盾与寄望就在集合了温情、搞笑、励志的旅程中正式启航。

简介：影片背景设定在20世纪60年代法国东边的阿尔萨斯小镇，比诺什饰演的女主角经营着一家将十几岁的女孩培养为完美主妇的学校。而她丈夫的突然离世，对她的事业产生了极大影响。

简介：Minnie and Moskowitz is a film by John Cassavetes, starring his wife, Gena Rowlands, and actor Seymour Cassel in the title roles of Minnie and Moskowitz, respectively.Following a www. aiyoutv.com break-up, Minnie Moore, a museum curator, becomes disillusioned by love and meaningful relationships. But after a seemingly chance encounter, she meets Seymour Moskowitz, a parking-lot attendant. After this event, Moskowitz falls in love with Minnie, trying desperately to get her to love him back.

简介：故事发生在19世纪中叶的日本德川幕府时期，位于镰仓的东庆寺得到幕府的支持，可以向饱受苦难婚姻折磨的女性施以援手，帮助他们成功和夫家断绝关系。这一日，不法商人堀切屋三郎卫门（堤真一 饰）的小妾阿吟（满岛光 饰）以及被混蛋丈夫（武田真治 饰）残酷剥削的铁匠阿茹（户田惠梨香 饰）结伴来到东庆寺，并且认识了寺脚下御用宿柏屋主人源兵卫（树木希林 饰）的外甥信次郎（大泉洋 饰）。信次郎是一名见习医生，他利用医术尝试着治疗阿茹的烧伤，同时希望记录下女性们的遭遇写出传世剧本。有着不同背景的女性们相继前来，她们共同站在了人生的岔路口上……　　本片以井上厦的小说《東慶寺花だより》为参考改编而成。

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.